Ladysmith Black Mambazo


In 2014, Ladysmith Black Mambazo – led by founder and leader JOSEPH SHABALALA – celebrates over fifty years of joyous and uplifting music. Within this music are the intricate rhythms and harmonies of their native South African musical traditions. In those years, the a cappella vocal group has created a musical and spiritual spirit that has touched a worldwide audience. Their musical efforts over the past five decades have garnered praise and accolades from a wide body of people, organizations and countries.

Assembled in the early 1960s in South Africa by Joseph, then a young farmboy turned factory worker, the group took the name Ladysmith Black Mambazo. Ladysmith is the name of Joseph’s hometown, about three hours west of Durban and 3 hours east of Johannesburg; Black being a reference to the oxen, the strongest of all farm animals; and Mambazo being the Zulu word for chopping axe, a symbol of the group’s ability to “chop down” any singing rival who might challenge them. Their collective voices were so tight and their harmonies so polished that by the end of the 1960’s they were banned from competitions, although they were welcome to participate as entertainers.

A radio broadcast in 1970 opened the door to their first record contract – the beginning of an ambitious discography that currently includes more than fifty recordings. Their philosophy in the studio was – and continues to be – just as much about preservation of musical heritage as it is about entertainment. The group borrows heavily from a traditional music called isicathamiya (is-cot-a-ME-Ya), which developed in the mines of South Africa, where black workers were taken by rail to work far away from their homes and their families. Poorly housed and paid worse, the mine workers would entertain themselves after a six-day week by singing songs into the wee hours on Sunday morning. When the miners returned to the homelands, this musical tradition returned with them.

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